The American dream, opportunity, prosperity, liberty, justice, community, unity, hope – have little reality today. But that doesn’t matter. They are mere symbols, signifiers without signified.
A new priesthood of power based on scientific expertise seeks to replace bourgeois values of self-determination, family, community and nation with ‘progressive’ ideas: globalisation, sustainability, redefined gender roles and the authority of experts.
Chess players, mathematicians, physicists, scientists, etc are not automatons; mechanical, calculating machines devoid of any creativity but in fact, they are supremely alert to creative possibilities.
A useful toolkit of architectural philosophy, focusing on ethics and aesthetics and taking a neutral stance… acting as a series of clarifications and questions rather than ready-made answers.
The book poses some new questions for us as we now see that there are consequences to the hollowing out of American industries and cities.
It’s a great book for telling us about Europe between the wars; but also because of what can it tell us about today, in particular homelessness?
The ’socially responsible’ designer is a good example of an ideological imposition getting in the way of clarifying graphic design, and its mediating and transformative role in society.
Dameon Garnett’s ‘Sticks and Stones’, whose run at the Tristan Bates Theatre was curtailed by the COVID-19 crisis, is an attempt to articulate the importance of free speech and the dangers of identity politics in our time.
… has been a useful guide in steering the profession to provide clear, accurate and timely advice. The new version is more driven by external political events, rather than the independent practical concerns of the profession.
The aesthetic experiences that we have as adults are a kind of echo of these formative infant experiences: an ongoing rediscovery of the world and its possibilities.