Playing Rough
Aug01

Playing Rough

The installations all seem to be a bit of fun, but there does seem to be a sinister undertone.

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A Tale of Two Cities
Jul13

A Tale of Two Cities

Are soaring property prices that push young Londoners out of their city, simply a price for London’s global success?

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‘What is public space’ Future Cities Salon, Porto
Jun22

‘What is public space’ Future Cities Salon, Porto

Early 20thC Modernism sought to provide public open space within cities as a release from the confines of overcrowded, unsanitary slums.

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The dangers of ‘resilience’
Jun22

The dangers of ‘resilience’

‘Resilience’ is a buzzword sweeping the entire industry and seemingly provides solutions for everything

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The Right Time for the Night Time
May26

The Right Time for the Night Time

The Night Time industries are vital to Britain’s future both culturally and economically.

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White City Black City
May21

White City Black City

This beautifully translated publication is an excellent insight to the history of Tel Aviv and Jaffa, told through their architecture.

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ISIS: The mad residue of the war on terror
May03

ISIS: The mad residue of the war on terror

How did this barbaric offshoot of a terror network many thought was becoming obsolete gain what looks like such a sudden ascendency?

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In defence of a Defence of Stars and Icons
Apr15

In defence of a Defence of Stars and Icons

We need a more journalistic nuance as well as hard-hitting intelligent critique.

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The Art of Memory
Feb01

The Art of Memory

Jane Sandeman | 02 February 2015 Review of ‘Suspended Sentences’ by Patrick Modiano “A Marcel Proust of our time” was how the Nobel Academy described Patrick Modiano, the French novelist who received the 2014 Nobel Prize in Literature, an award for conferring ‘the greatest benefit to mankind’.  Given only a handful of his 25-odd novels have so far been translated into English, Modiano is not exactly well-known in the...

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Film Review ‘The Big City’
Jan25

Film Review ‘The Big City’

Martin Earnshaw | 25 January 2015 The Big City (1963), directed by Satyajit Ray, is essentially a story of modernity. The superb opening scene traces the passage of a tram cable as it winds its way through Calcutta, a city which in the 1950s and 60s could be considered as  India’s foremost modern city. Although this old Imperial Capital was soon to be eclipsed by Mumbai, at that moment, to be at the forefront of change was to be in...

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