“Homelessness is a problem all around the world. Through my lens and this mini-series of images, I wanted to expose a human situation that is both local and global; human and troubling”. – Zhu Runzi
Dameon Garnett’s ‘Sticks and Stones’, whose run at the Tristan Bates Theatre was curtailed by the COVID-19 crisis, is an attempt to articulate the importance of free speech and the dangers of identity politics in our time.
The virus thrives on the essential elements of social life, such as the need to socialise, the importance of proximity, or the desire to comfort. To defeat the virus, we are told that we have to become reclusive.
Regardless of the UK government’s twelfth-hour assurance that these new powers will be reviewed every six months, a potentially worrying precedent may have already been set.
“Common cause” is not going to work if we have to morally browbeat people into supporting the uncommon interests of oppressed minority-groups. The question is, what unites us?
… has been a useful guide in steering the profession to provide clear, accurate and timely advice. The new version is more driven by external political events, rather than the independent practical concerns of the profession.
The aesthetic experiences that we have as adults are a kind of echo of these formative infant experiences: an ongoing rediscovery of the world and its possibilities.
Changing Politics for Good: What Next? Cheshire Conference Centre, Stockport. 29 February 2020. When people mobilise, coordinate, and make their presence felt, things can and will change.
Two years ago, in a national newspaper, achitect Alan Dunlop mooted the possibility of a bridge linking Scotland to Northern Ireland: Portpatrick to Larne, or the Mull of Kintyre to Torr Head.
Fewer, simpler or looser standards doesn’t necessarily mean more cavalier, indeed it ought to mean that we could propose more efficient and thorough standards and regulation. Setting national standards in a global context should be liberating.